|
| Title | Recording Date | Recording Location | Company |
| After You've Gone
(Henry Creamer / J. Turner Layton) |
10-8-1927 | Chicago, Illinois | Brunswick 3568-A |
| After You've Gone (vocal)
(Henry Creamer / J. Turner Layton) |
10-8-1927 | Chicago, Illinois | Brunswick 3568-A |
| Come On And Stomp, Stomp Stomp
(Smith / Fats Waller / Irving Mills) |
10-8-1927 | Chicago, Illinois | Brunswick 3568-B |
| New Orleans Stomp
(Louis Armstrong / Lil Hardin) |
4-22-1927 | Chicago, Illinois | Vocalion B 15632 |
| Melancholy
(Bloom / Melrose) |
4-22-1927 | Chicago, Illinois | Brunswick 3567-B E-22727 |
| Melancholy
(Bloom / Melrose) |
4-22-1927 | Chicago, Illinois | Brunswick 3567-B E-22728 |
| Joe Turner Blues
(W.C. Handy / Hirsch) |
10-8-1927 | Chicago, Illinois | Vocalion 3996 Brunswick 80075-A |
| When Erastus Plays His Old Kazoo
(Larry Spier / Sam Coslow / Sammy Fain) |
10-8-1927 | Chicago, Illinois | Vocalion 3996 Brunswick 80075-B |
| Wildman Blues
(Smith / Louis Armstrong / Jelly Roll Morton) |
4-22-1927 | Chicago, Illinois | Brunswick 3567-A E-22725 |
| Wildman Blues
(Smith / Louis Armstrong / Jelly Roll Morton) |
4-22-1927 | Chicago, Illinois | Brunswick 3567-A E-22726 |
| Weary Blues
(Artie Matthews) |
4-22-1927 | Chicago, Illinois | Vocalion A 15632 |
| Artist | Instrument |
| Charlie Alexander | Piano |
| Louis Armstrong | Cornet |
| Barney Bigard | Tenor Saxophone |
| Baby Dodds | Drums, Vocals |
| Johnny Dodds | Clarinet |
| Natty Dominique | Cornet |
| Earl Hines | Piano |
| George Mitchell | Cornet |
| Bud Scott | Banjo |
| John Thomas | Trombone |