The Red Heads sessions predated Red Nichols and his Five Pennies, but was basically the same group. |
| Title | Recording Date | Recording Location | Company |
| A Good Man Is Hard To Find
(Eddie Green) |
9-16-1927 | New York, New York | Pathé Actuelle |
| Alabama Stomp
(Creamer / Johnson) |
9-14-1926 | New York, New York | Pathé Actuelle 11236 |
| Baltimore
(Healy / Kahal / McHugh) |
9-16-1927 | New York, New York | Pathé Actuelle 6213 |
| Black Bottom Stomp
(Jelly Roll Morton) |
11-11-1926 | New York, New York | Pathé Actuelle |
| Brown Sugar
(Barris) |
9-14-1926 | New York, New York | Pathé Actuelle 11236 |
| Dynamite
(Henderson / Palmer) |
4-7-1926 | New York, New York | Pathé Actuelle |
| Fallen Arches
(Ponce / Van Loan) |
11-13-1925 | New York, New York | Pathé Actuelle |
| Get A Load Of This
(Eddie Lang / Arthur Schutt) |
11-4-1926 | New York, New York | Pathé Actuelle |
| Get With It
(Red Nichols) |
11-4-1926 | New York, New York | Pathé Actuelle |
| Hangover
(Red Nichols / Miff Mole) |
2-4-1926 | New York, New York | Pathé Actuelle |
| Heebie Jeebies
(Atkins / Jones) |
11-11-1926 | New York, New York | Pathé Actuelle |
| Headin' For Louisville
(Meyer / De Sylva) |
11-13-1925 | New York, New York | Pathé Actuelle |
| Here Or There
(Davis / Greer) |
1-18-1927 | New York, New York | Pathé Actuelle |
| Hi-Diddle-Diddle
(Coon / Keidle) |
4-7-1926 | New York, New York | Pathé Actuelle |
| Nervous Charlie
(Red Nichols) |
11-13-1925 | New York, New York | Pathé Actuelle |
| Nothin' Does-Does Like It Used To Do Do Do
(Kahal / Ross / Fain) |
9-16-1927 | New York, New York | Pathé Actuelle |
| Poor Papa
(Rose / Woods) |
2-4-1926 | New York, New York | Pathé Actuelle |
| 'Tain't Cold
(Harry Barris) |
2-4-1926 | New York, New York | Pathé Actuelle 36419 |
| Tell Me Tonight
(Little) |
1-18-1927 | New York, New York | Pathé Actuelle |
| That's No Bargin
(Red Nichols) |
11-11-1926 | New York, New York | Pathé Actuelle |
| The Hurricane
(Paul Mertz / Red Nichols) |
9-14-1926 | New York, New York | Pathé Actuelle |
| Wild And Foolish
(Smith / Redman) |
4-7-1926 | New York, New York | Pathé Actuelle |
| You Should See My Tootsie
(Yellen / Ager) |
1-18-1927 | New York, New York | Pathé Actuelle |
| Artist | Instrument |
| Vic Berton | Drums |
| Rube Bloom | Piano |
| Bobby Davis | Clarinet, Alto Saxophone |
| Alfi Evans | Clarinet, Alto Saxophone |
| Jimmy Dorsey | Trumpet, Clarinet, Alto Saxophone |
| Arthur Fields | Vocals |
| Frank Gould | Vocals |
| Wingy Manone | Cornet |
| Leo McConville | Trumpet |
| Dick McDonough | Banjo, Guitar |
| Miff Mole | Trombone |
| Fred Morrow | Clarinet, Alto Saxophone |
| Red Nichols | Trumpet |
| Pee Wee Russell | Clarinet |
| Arthur Schutt | Piano |
| The Red Nichols Story: After Intermission, 1942-1965 , by Philip R. Evans, Stanley Hester, Stephen Hester, Linda Evans (Editor), Scarecrow Press, 1997 |
| Red Head: A Chronological Survey of "Red" Nichols and His Five Pennies , by Stephen M. Stroff, Scarecrow Press, 1996 |
