|
| Title | Director | Year |
| The Black King | Bud Pollard | 1932 |
| Drums O' Voodoo | Arthur Hoerl | 1934 |
| Swing! | Oscar Micheaux | 1938 |
| God's Step Children | Oscar Micheaux | 1938 |
| Title | Recording Date | Recording Location | Company |
| Ada Jane's Blues
(Jay Guy Suddoth) |
9-1924 | New York, New York | Paramount 12232-B |
| Black Bottom Hop
(Paul Carter) |
12-1925 | New York, New York | Paramount 12336 |
| Choo Choo Blues (1)
(Jay Guy Suddoth) |
12-1924 | New York, New York | Paramount 12245 |
| Choo Choo Blues (2)
(Jay Guy Suddoth) |
12-1924 | New York, New York | Paramount 12245 Silvertone 3565 |
| Desperate Blues
(Alex Rogers / James P. Johnson) |
1-1922 | New York, New York | Black Swan 2039-A |
| Don't Shake It No More
(Thomas A. Dorsey) |
6-1924 | New York, New York | Paramount 12211-B |
| Everybody's Doing The Charleston Now
(Benton) |
12-1925 | New York, New York | Paramount 12330 |
| Everybody Loves My Baby (But My Baby Don't Love Nobody But Me)
(Jack Palmer / Spencer Williams) |
1-1925 | New York, New York | Paramount 12249 |
| Freight Train Blues
(Thomas A. Dorsey / Everett Murphy ) |
5-1924 | New York, New York | Paramount 12211-A |
| Freight Train Blues
(Williams) |
5-26-1938 | New York, New York | Decca 7489 A |
| Give Me That Slow Drag
(Tom Delaney) |
9-1922 | New York, New York | Black Swan 14127-A Paramount 12164-A |
| He May Be Your Man (But He Comes To See Me Sometimes) (Lemuel Fowler) |
4-1922 | New York, New York | Black Swan 14114-A |
| He May Be Your Man (But He Comes To See Me Sometimes) (Perry Bradford / Lemuel Fowler) |
5-26-1938 | New York, New York | Decca 7528 |
| He Likes It Slow
(W. Benton Overstreet) |
12-1925 | New York, New York | Paramount 12336 |
| How Come You Do Me like You Do?
(Austin / Bergere) |
1-1925 | New York, New York | Paramount 12249 |
| I Don't Know And I Don't Care Blues (1)
(George Brooks) |
5-1924 | New York, New York | Paramount 12208 |
| I Don't Know And I Don't Care Blues (2)
(George Brooks) |
5-1924 | New York, New York | Paramount 12208 |
| I'm Gonna Get You
(Porter Grainger / Bob Ricketts) |
1-1923 | New York, New York | Black Swan 14138-B |
| I'm Through With You (As I Can Be) (Billy Higgins) |
10-1922 | New York, New York | Black Swan 14132-B |
| Jack, I'm Mellow
(Gerry / House) |
5-26-1938 | New York, New York | Decca 7528 |
| Log Cabin Blues
(Tom Delaney) |
3-1923 | New York, New York | Black Swan 14142-A |
| Long Lost, Weary Blues | 3-1922 | New York, New York | Black Swan 2044-B |
| Love Me Like You Used To Do
(Paul Carter) |
12-1925 | New York, New York | Paramount 12330 |
| Mining Camp Blues (1)
(Trixie Smith) |
2-1925 | New York, New York | Paramount 12256-A |
| Mining Camp Blues (2)
(Trixie Smith) |
2-1925 | New York, New York | Paramount 12256-A |
| My Man Rocks Me (With One Steady Roll) (J. Berni Barbour) |
9-1922 | New York, New York | Black Swan 14127-B Paramount 12164-B |
| My Unusual Man
(Porter Grainger) |
5-26-1938 | New York, New York | Decca 7489 B |
| My Daddy Rocks Me (1)
(J. Berni Barbour) |
5-26-1938 | New York, New York | Decca |
| My Daddy Rocks Me - No. 2
(J. Berni Barbour) |
5-26-1938 | New York, New York | Decca 7617 A |
| No Good Man | 6-14-1939 | New York, New York | Decca 7617 B |
| Pensacola Blues
(Spencer Williams) |
4-1922 | New York, New York | Black Swan 14114-B |
| Praying Blues
(Jay Guy Suddoth) |
9-1924 | New York, New York | Paramount 12232-A |
| Railroad Blues (1)
(Trixie Smith) |
3-1925 | New York, New York | Paramount 12262-A |
| Railroad Blues (2)
(Trixie Smith) |
3-1925 | New York, New York | Paramount 12262-A |
| Ride Jockey Ride
(Arthur Schell Jr.) |
12-1924 | New York, New York | Paramount 12245 |
| Sorrowful Blues
(Trixie Smith / Johns) |
5-1924 | New York, New York | Paramount 12208 |
| Take It Daddy It's All Yours
(Perry Bradford) |
10-1922 | New York, New York | Black Swan 14132-A |
| The World's Gone Jazz Crazy And So Am I (1)
(William Henry Huff / Jimmy Blythe) |
3-1925 | New York, New York | Paramount 12262-B |
| The World's Gone Jazz Crazy And So Am I (2)
(William Henry Huff / Jimmy Blythe) |
3-1925 | New York, New York | Paramount 12262-B |
| Tired Of Waiting Blues
(Porter Grainger / Bob Ricketts) |
3-1923 | New York, New York | Black Swan 14149-A |
| Triflin' Blues
(Porter Grainger / Bob Ricketts) |
3-1923 | New York, New York | Black Swan 14149-B |
| Trixie's Blues
(Trixie Smith) |
1-1922 | New York, New York | Black Swan 2039-B |
| Trixie's Blues
(Trixie Smith) |
5-26-1938 | New York, New York | Decca 7469 |
| 2 A.M. Blues
(J.C. Johnson / Roland Irving) |
1-1923 | New York, New York | Black Swan 14138-A |
| Voodoo Blues
(Hegamin) |
3-1923 | New York, New York | Black Swan 14142-B |
| You Missed A Good Women When You Picked All Over Me (Williams) |
3-1922 | New York, New York | Black Swan 2044-A |
| You've Got To Beat Me To Keep Me
(Porter Grainger) |
2-1925 | New York, New York | Paramount 12256-B |
| Artist | Instrument |
| Henry "Red" Allen | Cornet |
| Louis Armstrong | Cornet |
| Sidney Bechet | Clarinet |
| Barney Bigard | Clarinet |
| Edgar Campbell | Clarinet |
| Sidney Catlett | Drums |
| Buster Bailey | Clarinet, Alto Saxophone |
| Teddy Bunn | Guitar |
| Edgar Campbell | Clarinet |
| Elmer Chambers | Banjo |
| Charlie Dixon | Banjo |
| Ralph Esudero | Tuba |
| Richard Fullbright | Bass |
| Frank Signorelli | Piano |
| Charlie Green | Trombone |
| Flethcher Henderson | Piano |
| James P. Johnson | Piano |
| Jimmy Lytell | Clarinet |
| Miff Mole | Trombone |
| Phil Napoleon | Clarinet |
| Ted Nixon | Trombone |
| Sam Price | Piano |
| Don Redman | Clarinet |
| Jack Roth | Drums |
| Howard Scott | Cornet |
| Charlie Shavers | Trumpet |
| Joe Smith | Trumpet |
| Russell Smith | Trumpet |
| O'Neil Spencer | Drums |
| Walter Watkins | Tenor Saxophone |