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| Title | Recording Date | Recording Location | Company |
| After You've Gone
(Henry Creamer / J. Turner Layton) |
4-11-1927 | New York, New York | Okeh 40837 |
| Fifty Million Frenchmen Can't Be Wrong
(Rose / Raskin / Fisher) | 4-15-1927 | New York, New York | Okeh 40813 Parlophone 3342 |
| I Ain't Got Nobody
(Abel Baer / Samuel Lewis / Joseph Young) |
4-11-1927 | New York, New York | Okeh 40837 |
| One Sweet Letter From You
(Warren / Brown / Clare) |
4-15-1927 | New York, New York | Okeh 40813 Parlophone 3342 |
| Artist | Instrument |
| Vic Berton | Drums |
| Jimmy Dorsey | Clarinet, Alto Saxophone |
| Eddie Lang | Guitar |
| Miff Mole | Trombone |
| Red Nichols | Trumpet |
| Ted Shapiro | Piano |
| Joe Tarto | Tuba |
| Sophie Tucker | Vocals |
Sophie Tucker who billed herself as "The Last Of The Red Hot Mammas" was one of the most popular singers of the Teens and 1920s. Her style is rarely considered to be Jazz, but rather harked back to the "Coon Shouter" or Ragtime vocal style. Occasionally she employed Jazz bands to back her up on her records and and in her live performances. In the case of these records she was accompanied by an all-star line up under the name of