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| associate producer | Ivor Powell | |
| film editor | Terry Rawlins | |
| director of photography | Derek Vanlint | |
| production designer | Michael Seymour | |
| art directors | Les Dilley and Roger Christian | |
| 'Alien' design | H.R.Giger | |
| 'Alien' head effects | ||
| created by | Carlo Rambaldi | |
| special effects supervisors | Brian Johnson and Nick Allder | |
| title design | Steve Frankfurt Communications | |
| R. Greenburg Associates | ||
| Tony Silver Films | ||
| visual design consultant | Dan O'Bannon | |
| concept artist | Ron Cobb | |
| casting U.S.A. | Mary Goldberg | |
| casting U.K. | Mary Selway | |
| production manager | Garth Thomas | |
| construction manager | Bill Welch | |
| floor effects supervisor | Allan Bryce | |
| special effects technicians | David Watkins | |
| Phil Knowles | ||
| Roger Nichols | ||
| Dennis Lowe | ||
| Neil Swan | ||
| Guy Hudson | ||
| editor | Peter Weatherley | |
| sound editor | Jim Shields, G.B.F.E. | |
| dialogue editor | Bryan Tilling | |
| production sound mixer | Derrick Leather | |
| re-recording mixer | Bill Rowe | |
| re-recording assistant | Ray Merrin | |
| Dolby sound consultant | Max Bell | |
| music editor | Bob Hathaway | |
| 1st assistant editor | Les Healey | |
| assistant film editor | Peter Culverwell | |
| Bridget Reiss | ||
| Peter Baldock | ||
| Maureen Lyndon | ||
| 1st assistant director | Paul Ibbetson | |
| assistant directors | Raymond Becket | |
| Steve Harding | ||
| production assistant | Valerie Craig | |
| continuity | Kay Fenton | |
| production accountant | Bill Finch | |
| assistant to producers | Alice Harmon | |
| Lori Covel | ||
| assistant to director | Sandy Molloy | |
| trainee assistant director | Bob Jordan | |
| production executive | Mark Haggard | |
| costume design | John Mollo | |
| wardrobe supervisor | Tiny Nicholls | |
| make-up supervisor | Tommy Manderson | |
| make-up | Pat Hey | |
| hairdresser | Sarah Monzani | |
| set decorator | Ian Whittaker | |
| assistant art directors | Johnathan Amberston | |
| Benjamin Fernandez | ||
| property master | Dave Jordan | |
| production buyer | Jill Quertier | |
| concept artists | Jean 'Moebius' Giraud | |
| Chris Foss | ||
| head carpenter | George Gunning | |
| head plasterer | Bert Rodwell | |
| head painter | John Davey | |
| small 'Alien' forms | ||
| co-designed and made by | Roger Dicken | |
| additional 'Alien' mechanics | Carlo DeMarchis | |
| Dr. David Watling | ||
| 'Alien' effects co-ordinator | Clinton Cavers | |
| matte artist | Ray Caple | |
| supervising modeller | Peter Voysey | |
| modellers | Eddie Butler | |
| Shirley Denney | ||
| Patti Rogers | ||
| main unit | ||
| camera focus | Adrian Biddle | |
| Colin Davidson | ||
| key grip | Jimmy Walters | |
| lighting gaffer | Ray Evans | |
| electronics and | ||
| video co-ordinator | Dick Hewitt | |
| miniature effects | ||
| director of photography | Denys Ayling | |
| operator | David Lichfield | |
| focus | Terry Pearce | |
| key grip | Peter Woods | |
| supervising model makers | Martin Bower | |
| Bill Pearson | ||
| advertising and | ||
| publicity consultants | Stanley Bielecki | |
| Charles Lippincott | ||
| unit publicist | Brian Doyle | |
| still photographer | Bob Penn | |
| special optical effects by | Filmex Animation Services Ltd. | |
| special graphic effects by | Bernard Lodge | |
| 'Alien' | Bolaji Badejo | |
| stunt co-ordinator | Roy Scammell | |
| stunt work | Eddie Powell | |
| Voice of 'Mother' | Helen Horton | |
| 'Jones' trained by | Animals Unlimited | |
| incidental music from | Symphony No. 2 ('Romantic') | |
| by Howard Hanson | ||
| Eine kleine Nachtmusik | ||
| by W.A. Mozart |
| cast of characters | ||
| Dallas | Tom Skerritt | |
| Ripley | Sigourney Weaver | |
| Lambert | Veronica Cartwright | |
| Brett | Harry Dean Stanton | |
| Kane | John Hurt | |
| Ash | Ian Holm | |
| Parker | Yaphet Kotto | |
| filmed in | Panavision | |
| color by | Eastman Kodak | |
| processed by | Rank Film Laboratories | |
| prints by | DeLuxe | |
| lighting by | Lee Electrics | |
| video equipment by | Sony U.K. Ltd. |
|
Approved No. 25541 |
|
| Copyright 1979 by Twentieth Century-Fox Film Corporation |
| All Rights Reserved |
| Ownership of this motion picture is protected by |
| copyright and other applicable laws and any |
| unauthorised duplication, distribution or exhibition |
| of this motion picture could result in criminal |
| prosecution as well as civil liability. |
| Made by Twentieth Century-Fox Productions Limited |
| at Shepperton Studio Centre, England and at |
| Bray Studios, Windsor, England. |
| Post production at E.M.I. Elstree Studios, England |
| Music recorded at Anvil Recording Studios, |
| Denham, England. |
| Released by Twentieth Century-Fox Film Corporation |
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