René Magritte

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The Treachery Of Images (La trahison des images) (1928-1929)
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The Treachery Of Images (La trahison des images) (1928-1929)

René François Ghislain Magritte (November 21, 1898August 15, 1967) was a surrealist artist, born in Lessines, Belgium.

In 1912, Magritte's mother committed suicide by drowning herself in the river Sambre.

He studied at the Académie Royale des Beaux-Arts in Brussels for two years until 1918. During this time he met Georgette Berger, whom he married in 1922.

Magritte worked in a wallpaper factory, and was a poster and advertisement designer until 1926 when a contract with Galerie la Centaure in Brussels made it possible for him to paint full-time.

In 1926, Magritte produced his first surrealist painting, Le jockey perdu, and held his first exhibition in Brussels in 1927. Critics heaped abuse on the exhibition. Depressed by the failure, he moved to Paris where he became friends with André Breton, and became involved in the surrealist group.

When Galerie la Centaure closed and the contract income ended, he returned to Brussels and worked in advertising. Then, with his brother, he formed an agency, which earned him a living wage.

During the German occupation of Belgium in World War II he remained in Brussels, which led to a break with Breton. At the time he renounced the violence and pessimism of his earlier work, though he returned to the themes later.

A consummate technician, his work frequently displays a juxtaposition of ordinary objects, or an unusual context, giving new meanings to familiar things. The representational use of objects as other than what they seem is typified in his painting, The Treachery Of Images (La trahison des images), which shows a pipe that looks as though it is a model for a tobacco store advertisement. Magritte painted below the pipe, This is not a pipe (Ceci n'est pas une pipe), which seems a contradiction, but means that the image of the pipe is not itself a pipe. (In his book, This Is Not a Pipe, French critic Michel Foucault discusses the painting and its paradox. )

His art shows a more representational style of surrealism compared to the "automatic" style seen in works by artists like Joan Miró. In addition to fantastic elements, his work is often witty and amusing. He also created a number of surrealist versions of other famous paintings.

René Magritte described his paintings saying,

My painting is visible images which conceal nothing; they evoke mystery and, indeed, when one sees one of my pictures, one asks oneself this simple question, 'What does that mean?'. It does not mean anything, because mystery means nothing either, it is unknowable.

His work showed in the United States in New York in 1936 and again in that city in two retrospective exhibitions, one at the Museum of Modern Art in 1965, and the other at the Metropolitan Museum of Art in 1992.

Magritte died of cancer on August 15, 1967 and was interred in Schaarbeek Cemetery, Brussels.

Die natürlichen Gnaden (1967)
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Die natürlichen Gnaden (1967)

Contents

Selected list of works

  • 1920 Landscape
  • 1922 The Station
  • 1923 Sixth Nocturne
  • 1925 The Bather and The Window
  • 1926 The Lost Jockey, The Mind of the Traveler, Sensational News, The Difficult Crossing and The Encounter
  • 1927 The Murderer Threatened, The Man from the Sea, The Tiredness of Life and The Muscles of the Sky
  • 1928 The Flowers of the Abyss, The Lovers, The Daring Sleeper, The Acrobat’s Ideas, The Automaton and Attempting the Impossible
  • 1929 The Treachery of Images and Threatening Weather
  • 1930 The Eternally Obvious
  • 1931 The Voice of the Air and The Giantess
  • 1932 The Universe Unmasked
  • 1933 The Human Condition and The Unexpected Answer
  • 1934 The Rape
  • 1935 The Human Condition, Revolution and The False Mirror and The Portrait
  • 1936 Clairvoyance, The Healer, The Philosopher’s Lamp, Spiritual Exercises and Forbidden Literature
  • 1937 On the Threshold of Freedom and The Future of Statues
  • 1938 Time Transfixed and Steps of Summer
  • 1939 Victory
  • 1940 The Return
  • 1941 The Break in the Clouds
  • 1942 Misses de L’Isle Adam and The Misanthropes
  • 1943 Universal Gravitation and Monsieur Ingres’s Good Days
  • 1944 ? The Domain of Amheim
  • 1945 Treasure Island and Black Magic
  • 1947 The Cicerone, The Liberator and The Red Model
  • 1948 Blood Will Tell, Memory, The Mountain Dweller and Famine
  • 1948 or 49 Megalomania
  • 1950 Making an Entrance, The Legend of the Centuries, Towards Pleasure, The Labors of Alexander and The Art of Conversation
  • 1951 David’s Madame Récamier, The Song of the Violet and The Smile
  • 1952 Personal Values
  • 1953 Golconda, The Listening Room and a fresco for the Knokke Casino
  • 1954 The Invisible World and The Empire of Light
  • 1955 Memory of a Journey and The Mysteries of the Horizon
  • 1956 The Sixteenth of September
  • 1959 The Castle in the Pyrenees, The Battle of the Argonne, The Anniversary and The Glass Key
  • 1960 The Memoirs of a Saint
  • 1962 The Great Table, The Healer and 'Waste of Effort
  • 1963 The Great Family, The Open Air, The Beautiful Season, Princes of the Autumn and Young Love
  • 1964 Evening Falls, The Great War, The Son of Man and Song of Love
  • 1965 Carte Blanche and Ages Ago
  • 1966 The Shades, The Happy Donor, The Gold Ring and The Mysteries of the Horizon
  • 1967 Good Connections, The Art of Living and several bronze sculptures based on Magritte’s previous works.

See also

Reference

  • West, Shearer (1996) The Bullfinch Guide to Art, U.K.: Bloomsbury Publishing Plc. ISBN 0-8212-2137-X

External links

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